ETHNOPHOTOGRAPHYSascha Klamp · Armenia
An elderly woman in a headscarf sits beneath framed portraits in a green room

Armenia · December 2020 · Where it began

After the War

The ceasefire was a few weeks old and Covid was at its height. A week in December that led to everything after.

From An Armenian Journal

In November 2020 I decided to travel to Armenia. The war was coming to an end.

I left London in the knowledge that my mission was worth our family’s while. And I literally did not know anyone upon arrival.

Field note · The minibuses

The minibuses were arriving, not leaving.

Families who had fled Artsakh climbed down with what they could carry. The rest came down off the roof.

Soldiers and families gather around white minibuses in a car park
Arriving from Artsakh, Yerevan, December 2020
Men unload bags from the roof of a minibus
Everything they could carry
A man on a minibus roof hands down a bag
Unloading, December 2020

Field note · Mets Masrik, 11 December

Donations came in sacks and carrier bags. Flour, nappies, winter coats.

Teenagers from the village sorted them on the floor of a hall, one pile for each family. Working with them later gave the film its counterpoint to the elders.

An open sack of flour beside donated bags
Flour, Mets Masrik, December 2020
Teenagers sort piles of donated clothes on a hall floor
Sorting the clothes
A hall floor covered with bags of donated food and clothes
One pile per family
A young woman hands a man a bag of supplies
Handing out, Mets Masrik

Field note · Yerevan, 14 December

At the Women’s Resource Center the staff had put their own projects aside.

Half of them had Covid. The rest packed hygiene kits, food and bedding for families from Artsakh, up to thirty families a day.

Listen · Ana

We didn’t choose it, but we were on the front line.

Ana, Women’s Resource Center

In English · 9 seconds

Listen · Ana

During that period half of our staff were Covid infected, so we were just four or five. It was really difficult and we were all exhausted. We thought that if we would not do that, then who would do?

Ana, on October and November 2020

In English · 19 seconds

It was also a sort of way of healing, because they were gathering, talking.

Ana, on the centre’s knitting group

Listen · The centre

Everybody is just thinking about how to help men. But nobody thinks that women need hygiene, all these women that are coming from there.

A colleague of Ana’s at the centre

In English · 13 seconds

A baker in a hairnet rolls out lavash dough
Baking lavash, December 2020
A woman lifts a sheet of lavash in a small bakery
Bread for the families

Field note · 10 December

In a bright room children painted at easels, masks on.

An apple and a jug sat on a blue cloth. For an hour the war was somewhere else.

An apple and a white jug on a blue cloth, easels behind
The still life
A masked child paints at an easel
December 2020
A teacher points across a room of children at easels
The art class, December 2020

Field note · 12 December

Families who had fled Artsakh filled a kindergarten room.

Every child held a Christmas card from a family in Los Angeles. Focus on Children Now brought the cards from the diaspora, with winter clothes and seasonal wishes.

A small boy in a grey jumper sits among mothers and children holding sheets of paper
A Christmas card from Los Angeles, December 2020
A girl in a pink coat looks up while a woman beside her reads from a tablet
December 2020

Field note · Oshakan, 14 December

In Oshakan I met a group of women from Artsakh, displaced since the third day of the war.

They were living in houses the village had found for them, and working. We talked for most of an hour, with Stepan translating.

We came here because we heard from our acquaintances that there is a place to stay here.

A woman from Artsakh, Oshakan
A group of women and two boys stand on the steps of a stone building
Oshakan, 14 December 2020

Listen · Taghavard

I would like our village back. Half of it belongs to us, the other half is not ours any more. The cemetery of the village is a sacred place for us, but it’s not on our land anymore.

A woman from Taghavard, Martuni

In Armenian · 29 seconds · English from the interview transcript

A woman in a burgundy top holds small woven pieces in a workshop
The workshop, Oshakan
Hands work the knots of a patterned carpet on a loom
At the loom

Listen · Armine

Me and my five children are going to return home. My children say that they will kiss the stones and trees once we are back. That’s how much we miss our country.

Armine, a mother of five

In Armenian · 26 seconds · English from the interview transcript

A girl and a boy talk across a table of wooden toys
December 2020

Listen · Armine

The Armenian nation has always been able to smile through tears. Even at the hardest moments of life, we don’t lose our sense of humour.

Armine

In Armenian · 35 seconds · English from the interview transcript

Listen · Oshakan

It doesn’t matter who, but someone has to keep peace. That’s all I want.

A woman from Artsakh, asked what she would tell the world

In Armenian · 10 seconds · English from the interview transcript

Field note · The portraits on the wall

In the homes we visited, the newest photograph on the wall was often of a son in uniform.

People sat beneath it and told me about him. Then they made coffee.

A man at a table beneath framed portraits of a young soldier
December 2020
An elderly woman in a headscarf beneath framed portraits
December 2020
A family stands in a sitting room with children on the sofa
December 2020
A boy in a POWER jumper looks at a drawing
December 2020
A boy stands beneath an icon and a framed photograph
December 2020
A woman holds a small child in a bright knitted hat
December 2020
A grey-haired man in camouflage trousers carries a bag
December 2020
An older man in a leather cap and sheepskin coat stands in a dark stone room
December 2020
A pair of small red children’s shoes on a worn patterned floor
December 2020
A single walnut on a faded patterned rug
December 2020
An axe rests on a chopping block among split logs
Firewood for the winter
A painted mural of three faces under Armenian lettering
A mural, Yerevan, December 2020

End of the walk

Where it began

These days in December 2020 were my first visit. The people I met here opened the doors to the villages of The Art of Seeing, The Art of Remembering.

Next in Armenia The Yellow Door →